An OMF Intern talks about what the Festival means to her 
So every summer, the staff at the Festival goes from 6 to hundreds. A big chunk of that expansion is the many wonderful interns who devote the first few weeks of their summer to making the Festival happen. Last year, we were lucky to snag Margaret Crites, a budding composer, former Ojai resident, and all-around lovely person. I asked her to write a few paragraphs on what the Festival meant to her, and here is her response.


"Being a composer and new music enthusiast is a rare and lonely thing in Waco, Texas, where gospel hymns and country music reign as music's main cultural expression. But there is a small collective of us avant-garde-concert-music-loving-folks out in west Texas, and we constantly exchange about what pieces we're hearing, what we're writing, what is happening in the "new music" world. I feel especially privileged with my experience as an intern at the Ojai Music Festival this past summer, because I've got a unique outside experience to share. The OMF 2009 was a front row seat to watching how this world of contemporary musicians, contemporary composers and contemporary loving audiences come together to experience fantastic art, the kind future "history of twenty-first-century music" textbooks will be talking about.

In our efforts to begin a new music ensemble at Baylor University, my percussionist friend and I have looked towards OMF's guests eighth blackbird as a model. What's more, having worked with them this summer I have even been in contact with them a few times to ask about arrangements of Bresnick pieces, etc. They are so kind to respond quickly, despite their crazy schedules, and I'm grateful that I met them and that they value giving a few words to a young musician now and then.

My own performing and composing these past 7 months has also been encouraged towards a new professionalism since I experienced that of the musicians in the festival. The collaborative mindset, the musicality and preparedness with which they approached the works, the time and dedication offered: these things continue to inspire me now. I remember David Gordon's "Quasi Sinfonia" or Steven Mackey's guitar playing in "Slide", eighth blackbird's consistently fresh expression of contemporary (and not so contemporary, i.e. Pierrot Lunaire) literature, and I am inspired daily to continue pursuing today's world of aural art.

Though I may be the minority in Waco, Texas, the OMF gave me a place to be among people that love contemporary music as much if not more than I did. What's more, I was around those who have been at the craft a lot longer than I have! That I saw and even partnered with today's contemporary musicians and those who appreciate them; this experience continues to encourage me today along my own musical path and I won't forget the music I experienced at the OMF! I certainly will be back."

Margaret? We're totally saving you a place here!

- Christiana Thomas

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